It so happens, every now and then, that the influx of inspiration is just SO high that you need to shake your head left and right in order to try to fit everything in your very own SD-card...
You want to shake your head to hard just to make room for everything you've just thought of and are in danger of losing by the process of forgetting (a natural process, nontheless).
So, there are two ways to go with this:
Either write it down - quite easy nowadays with technology where you don't even need a pen or pencil - or film it (in this case where the inspiration is movement based).
Actually, writing it down and not performing the movement relatively soon after that, can be a way of forgetting it too; at least parts of it or the exact movement you had initially thought of/sensed/touched.
Of course, when you're walking down the street or are in class, you can't just stand up and start jumping, twisting, turning, stretching, etc. because you are seriously running the risk of people calling 911!
My point is getting off track at this moment because I initally intended to write about how there are times where the inspiration rate is so high and you're sitting in your small bedroom just thinking about it and now getting a chance to bring this inspiration to [movement]-life soon enough.
If you record - in any form - that inspiration you are not going to forget it. Yet, if a substantial amount of time passed by without trying to test the inspiration by actually performing the action, is the essence of the inspiration going to get lost?
These moments of inspiration are just so magical that sometimes it is so incredibly important to capture that magic, that essence of it all, right away. Or else, the magic will be exhausted without even having been tested; without even having realized its full magical potential.
I haven't hit the studio to put all these thoughts to the test in quite a while and I am curious as to whether the older ones still hold their true value [to me].
Well, I guess there's only one way of finding out; hitting the studio...
You want to shake your head to hard just to make room for everything you've just thought of and are in danger of losing by the process of forgetting (a natural process, nontheless).
So, there are two ways to go with this:
Either write it down - quite easy nowadays with technology where you don't even need a pen or pencil - or film it (in this case where the inspiration is movement based).
Actually, writing it down and not performing the movement relatively soon after that, can be a way of forgetting it too; at least parts of it or the exact movement you had initially thought of/sensed/touched.
Of course, when you're walking down the street or are in class, you can't just stand up and start jumping, twisting, turning, stretching, etc. because you are seriously running the risk of people calling 911!
My point is getting off track at this moment because I initally intended to write about how there are times where the inspiration rate is so high and you're sitting in your small bedroom just thinking about it and now getting a chance to bring this inspiration to [movement]-life soon enough.
If you record - in any form - that inspiration you are not going to forget it. Yet, if a substantial amount of time passed by without trying to test the inspiration by actually performing the action, is the essence of the inspiration going to get lost?
These moments of inspiration are just so magical that sometimes it is so incredibly important to capture that magic, that essence of it all, right away. Or else, the magic will be exhausted without even having been tested; without even having realized its full magical potential.
I haven't hit the studio to put all these thoughts to the test in quite a while and I am curious as to whether the older ones still hold their true value [to me].
Well, I guess there's only one way of finding out; hitting the studio...
As Pablo has put it:
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